From writer-director John Cameron Mitchell (Hedwig and the Angry Inch, Shortbus). A couple of British 1970s teenaged boys, Enn and Vic, go to a party to meet girls, only to find that the girls are very different from the boys’ expectations.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Sara joins Julliard in New York to fulfill her and her mother’s dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes – Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara’s passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.
In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.
A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.
Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled to a humiliating desk job in Nevada as the federal receiver managing a legal brothel in tax default, where — with the help of the brothel Madam, Lady Magdalene — he uncovers an Al Qaeda plot to unload a nuclear-bomb-sized crate at Hoover Dam.
Aspiring street dancer Skyler (Teyana Taylor) is at a major crossroads in her life. She’s decided to try-out for the same dance crew as her formally trained sister Tosha (Sierra McClain) in order to compete for a college scholarship, but is discouraged by her family and boyfriend who doubt that her raw, edgy talent is enough for her to win. Determined to prove them all wrong, Skyler practices nonstop in Atlanta’s underground dance scene and catches the eye of Tyrell (Bryshere Y. Gray). He helps her take her sexy dance and hip-hop battle skills to the next level in order to achieve her dreams.
Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.
As one-half of the Grammy award-winning duo “Deep Dish”, Iranian-American Ali Shirazinia (aka ‘Dubfire’) has established himself as one of the world’s most successful DJs and producers. But the road to success was not an easy one. With candid interviews from family, childhood friends, industry peers, and fellow artists, this film takes an intimate and honest look inside the nuanced world of dance music. This is an aspirational story about pursuing your passion, daring to dream big, and the challenges that come with success. It is an insider’s look at what its like to be an electronic music artist from Above Ground Level.
Queen’s performance at Live Aid at Wembley Stadium in 1985 is often regarded as Rock’s greatest live performance of all time. Their set lasted 21 minutes and consisted of “Bohemian Rhapsody”, “Radio Ga Ga”, “Hammer to Fall”, “Crazy Little Thing Called Love”, “We Will Rock You”, and “We Are the Champions”. Mercury and May returned later on to perform a version of “Is This the World We Created?”
Ethan, a sullen high-school student whose life is defined by what he hates, finds love with a blindly optimistic Christian girl Trinity, much to the annoyance of his angst-filled band mates and her evangelistic brethren.
The fascinating story of the cultural, social, spiritual, and musical revolution ignited by the coming of the Beatles. Tracing the impact that these four band members had, first in their native Britain and soon after worldwide, it reappraises the band and follows their path from young subversives to countercultural heroes. Featuring fresh, revealing interviews with key collaborators as well as a wealth of rarely-seen archival footage, this documentary presents a bold new take on the most significant band in the history of music and their enduring impact on popular culture.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band’s complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams… until love unexpectedly brings her back to life.
August 25, 1991, AC/DC at England’s famous Mosters of Rock festival at Castle Donington. This was the band’s first major live release with lead singer Brian Johnson. Special bonus features include audio commentary by band members, iso-cam versions of select songs for each band member, Stereo and 5.1 Surround Sound, newly mixed and mastered, more.
Filmed Live at the Plaza de Toros, Madrid 1996, this editors cut includes Back in black/ shot down in flames/ thunderstruck/ girls got thythm/ hard as a rock/ shoot to thrill/ boogie man/ hail caesar/ hells bells/ dog eat dog/ the jack/ ballbreaker/ rock and roll ain’t noise pollution/ dirty deeds done dirt cheap/ you shook me all night long/ whole lotta roise/ tnt/ let there be rock/ highway to hell/ for those about to rock (we salute you)
Based on the true story of acclaimed music icon “Dalida” born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine’s picture “Le Sixième Jour”, and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their ‘Pandrogyne’ project.