An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.
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Abby Knight (Brooke Shields), a former lawyer turned proud flower shop owner is starting over after the death of her husband with the support from her father (Beau Bridges), a new business and her daughter off to college. Life is good in the peaceful town of New Chapel but when a black SUV rams her prized vintage car, she’s determined to track down the driver. She begrudgingly accepts the help of a new neighbor, the handsome and charming ex-Marine Marco Salvare (Brennan Elliott) who just bought the bar down the street. But their budding relationship is threatened when an acquaintance is murdered and Abby’s good friend is the prime suspect and it all links back to the hit and run. Caught up in a tangle of menacing phone calls, police corruption and murderous road rage, Abby must work against the clock to find the killer or the next flower arrangement might be for her own funeral.
When a younger girl called Emily Rose (Carpenter) dies, everyone puts blame on the exorcism which was performed on her by Father Moore (Wilkinson) prior to her death. The priest is arrested on suspicion of murder. The trail begins with lawyer Erin Bruner (Linney) representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true.
Bright Alex grows up in Michigan proud of his mother, Romanian immigrant Ileana, who became a professor, vowing to make her dream come true by graduating from Harvard. But when mother becomes manic-depressive and repeatedly dumps her medication, Alex each time lands in foster care. At age 16, he gets legal emancipation and vows to take charge of their lives himself
This story from Alexander Dumas is updated to modern times and tinged with graphic nudity and eroticism. Marguerite (Daniele Gaubert) is the tart who sleeps her way up the social ladder to help Armand Duval (Nino Castelnuevo), a commoner who happens to be her boyfriend. The original story has Camille dying from tuberculosis, but in this version she suffers from an unknown ailment. She takes a variety of drugs and becomes a walking zombie (when she can stand up) in this expertly photographed sexploitation feature.
In a fragile relationship, a husband wants to impress upon his pregnant wife his seriousness in being a good father, so he whisks her away on a babymoon travel holiday to the most exotic, beautiful, Instagram -able, country imaginable, which unbeknownst to him is experiencing a political revolution!
Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.
Arthur, one of Britain’s angry young men of the 1960s, is a hardworking factory worker who slaves all week at his mindless job for his modest wages. Come Saturday night, he’s off to the pub for a loud and rowdy beer session. With him is Brenda, his girlfriend of the moment. Married to a fellow worker, she is nonetheless captivated by his rugged good looks and his devil-may-care attitude. Soon a new love interest Doreen enters and a week later, Brenda announces she’s pregnant. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. By this time, his relationship with Doreen has ripened and Brenda, hearing of it, confronts him. He denies everything, but it’s obvious that their affair is all but over.
Senior investment banker Naomi Bishop’s world of high-power big money is brutal and fierce, and one she thrives in. When a controversial IPO threatens the fragile balance of power and confidentiality, Naomi finds herself entangled in a web of politics and deception.